Amanda Seyfried's "Les Mis" Regret: Singing Live Was 'Infuriating'

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Did the seemingly flawless world of a Hollywood musical actually harbor a source of frustration for one of its stars? For Amanda Seyfried, the experience of singing live in the 2012 film adaptation of "Les Misrables" was, surprisingly, a source of considerable vexation.

Seyfried, who graced the screen as the gentle Cosette in the epic period musical, recently opened up about her experiences, revealing a perspective that may surprise some. In a candid interview, she reflected on the challenges of singing live on set alongside an ensemble of talented performers, including Eddie Redmayne, Anne Hathaway, and Samantha Barks. The film, directed by Tom Hooper, required the cast to perform their vocals live during filming, a departure from the more common practice of pre-recording songs in a studio. This choice, while intended to enhance the realism and immediacy of the performances, proved to be a significant hurdle for Seyfried.

The actress has been candid about her struggles with the demanding format. She admits that she was not "technically ready or capable" to deliver the live singing to the standard she desired. This honest assessment sheds light on the pressures and complexities of creating a performance that not only captures the emotion of the moment but also meets the high technical standards expected of a musical production. In a video interview with GQ, Seyfried discussed the film's production, and in multiple interviews she has shared the difficulties that she faced. This revelation underscores the often-unseen challenges faced by performers, even in seemingly glamorous productions.

Heres a closer look at the actress:

Attribute Details
Full Name Amanda Michelle Seyfried
Born December 3, 1985 (age 38) Allentown, Pennsylvania, U.S.
Nationality American
Occupation Actress, Singer, Model
Years Active 1999present
Notable Roles
  • Karen Smith in "Mean Girls" (2004)
  • Sophie Sheridan in "Mamma Mia!" (2008) and "Mamma Mia! Here We Go Again" (2018)
  • Cosette in "Les Misrables" (2012)
  • Elizabeth Holmes in "The Dropout" (2022)
Awards and Nominations
  • Primetime Emmy Award for Outstanding Lead Actress in a Limited or Anthology Series or Movie (2022) - Nominated
  • Critics' Choice Television Award for Best Actress in a Movie/Miniseries (2022) - Won
  • Golden Globe Award for Best Actress Miniseries or Television Film (2022) - Nominated
Marital Status Married (to Thomas Sadoski)
Children 2
Reference Wikipedia

Seyfried's reflections offer a valuable insight into the world of filmmaking. "Les Misrables," while a cinematic triumph, presented unique hurdles for its cast. The decision to sing live was a bold artistic choice, and the challenge of performing under those conditions was not lost on Seyfried. She admitted that she "was not technically ready or capable" of the live singing. For Seyfried, this meant that her experience of the musical's production was "infuriating". The process of singing live was a challenging experience, and, in retrospect, she wishes she had felt more prepared.

The 2012 adaptation of "Les Misrables" was an ambitious undertaking, a faithful representation of the beloved stage musical, known for its sweeping score and emotionally charged narrative. The decision to have the actors sing live during filming was a defining characteristic of the project. This approach was meant to provide a raw, immediate quality to the performances, capturing the raw emotion and vulnerability of the characters. The cast was put in a position that demanded vocal precision and emotional depth simultaneously. While many praised the films approach, the process itself demanded a lot from the actors.

The film's director, Tom Hooper, spoke frequently about his creative choices and defended the decision to have the actors sing live. The method, he argued, would create a far more authentic experience for the audience. The intent was to capture the immediacy of a live theater performance on screen. The actors were, in a sense, performing a stage production within the cinematic medium. The result was a film that allowed for a deeper connection with the characters and their emotional journeys.

Seyfried, though, has been frank about her experience. While acknowledging the film's overall quality and success, she admitted that the process was difficult. This is a testament to the high standards she sets for herself and the unique demands of performing in a live-singing environment. Her remarks serve as a reminder that the creation of art, even in its most glamorous forms, can be a complex undertaking, fraught with technical and emotional challenges. Seyfried's perspective offers a glimpse behind the curtain, revealing the human experience of filmmaking.

In the interview, she made it clear that her dissatisfaction stemmed from her own perceived limitations, not from any flaws in the film's production or the performances of her colleagues. She spoke with respect for the project, highlighting the incredible nature of the movie, while also expressing her personal experience with the process. She was not, in her own estimation, at the peak of her vocal abilities, and the live singing format intensified her awareness of this fact.

Seyfried's candor is refreshing, particularly in an industry often known for its carefully constructed public image. This willingness to discuss a perceived shortcoming speaks to her professionalism and her commitment to artistic integrity. Her reflection invites a broader discussion about the relationship between preparation, performance, and the pursuit of artistic excellence. It also raises questions about the degree to which technical skill and emotional expression can be balanced in the process of creating a film.

The film's success at the box office and critical acclaim highlight the effective execution of the director's vision. The live singing, while challenging for some, was a triumph for the majority of the cast. The actors were able to deliver raw and honest performances, which resonated deeply with the audience. The approach, while novel, was ultimately a success, making the musical a standout success. However, Seyfried's experience demonstrates that success can come at a personal cost, even for the most talented performers.

Moreover, the process of filming a musical is fundamentally different from recording an album in a studio, or a traditional acting experience. The pressures of a film set, the time constraints, and the requirement for a perfect take can all add to the challenge. Seyfried's experience serves as a reminder of the specific demands of the cinematic art form, and the variety of circumstances the actors must navigate.

The challenges faced by Seyfried also speak to the evolution of her career. Her role in "Les Misrables" was a significant one, but her skills and abilities have continued to develop in the intervening years. Her later work has further solidified her reputation as a versatile and accomplished actress. The growth of her skills and experience perhaps make her original regret all the more poignant, underscoring the changes in the journey of an artist.

The incident also serves as a reminder that even the most acclaimed films are a collaborative endeavor. The success of a film rests on the contributions of many people, from the director and the cast to the crew and the post-production team. Each individual's experience of a film can be different, and Seyfried's perspective shows the complex relationship between the creative process and the final product.

Seyfried's comments are not a criticism of the film, or a suggestion that the process was flawed. Instead, they are an honest account of her personal journey. Her story serves as an example of the complex relationship between the artist, the art, and the process of creation. It reminds us that behind every success is often a unique experience that cannot be fully understood by those on the outside.

The fact that she is willing to share this regret decades after the film's release is a reflection of her maturity and her commitment to artistic honesty. It is a testament to her courage and her willingness to be vulnerable, even when discussing the challenges she faced. It highlights the often-overlooked realities of artistic creation and the human experience of creating art.

In another instance, Seyfried discussed the challenges of the role of Glinda in "Wicked," she clarified that she had not, in fact, auditioned for the part. She expressed that she was not ready or prepared to perform as Glinda. Despite having an extensive background in musical theater and film, the actress was clear about her present state of skill and preparedness. The candid disclosure is another illustration of her willingness to be honest about the artistic process.

The actress made it clear that she was not auditioning for the role. It is this kind of honesty that makes her an interesting figure within the entertainment industry. Her comments show that she values her artistic integrity, and her willingness to share the difficulties she faces are valuable to others in the industry. Her honesty is another reason for her continued success.

Her reflection on the challenges of singing live is not an isolated instance. It is part of a broader pattern of candor that defines her career. Seyfried's career spans a wide range of genres and performances, and her willingness to discuss both the highs and lows of her artistic journey continues to resonate with her audience. The ability to confront one's limitations and to learn from those experiences is a hallmark of an artist who strives for excellence.

Seyfried's account serves as a useful reminder that even the most seasoned professionals may not always be completely satisfied with their work, and that the creative process is often filled with challenges. Her honesty, her bravery, and her willingness to share her experiences set her apart as an artist and give an insight into the industry. Her openness provides a compelling view of the intersection between art, ambition, and the pursuit of excellence.

Amanda Seyfried singing Songbird by Fleetwood Mac for INARA Charity
Amanda Seyfried singing Songbird by Fleetwood Mac for INARA Charity
Les Miserables Amanda Seyfried talks Eddie Redmayne, singing and
Les Miserables Amanda Seyfried talks Eddie Redmayne, singing and
Why Amanda Seyfried Found Singing Live 'Infuriating' in 'Les Misérables'
Why Amanda Seyfried Found Singing Live 'Infuriating' in 'Les Misérables'

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